The University of Kent’s School of Music and Fine Art is thrilled to welcome painter Simon Ling to deliver the first talk of our fantastic Visiting Artist Talk programme in The Royal Dockyard Church at the Historic Dockyard Chatham on Tuesday 11 October from 6.15pm.
Born in 1968, British artist Simon Ling studied at Chelsea College of Art & Design and then at the Slade School of Art in London. His practice is involved in a deep engagement with painting and his subjects can often appear banal street scenes, still lifes, rocks, stones or patches of scrubland – but through a process of sustained and rigorous looking, his works transcend the ordinariness of their initial appearance, taking on a strange and at times unsettling quality.
In 2015, Ling had a solo exhibition at Kunsthalle, Bergen, and London art gallery, greengrassi, as well as taking part in numerous group exhibitions including Tate Britain, Camden Art Centre, and CAPC Bordeaux, France.
Medway is lucky enough to have multiple arts spaces that each have something unique to offer. If you would like to book a days tour (for a small donation to the Creatabot project) please contact Natasha on email@example.com
Nucleus Arts is the Award Winning flagship arts organisation founded by the Halpern Charitable Foundation. The Foundation was the brainchild of the late Hilary Halpern and it was his dream to promote the Arts in Medway and Kent. Nucleus Arts has become the cultural and creative heart of Kent & Medway over the past 12 years and focuses on affordability, accessibility and excellence in the Arts. They run multiple workshops, events and training programmes.
The main centre is at 272 High Street, Chatham, where the gallery, conference room and main artists studios are based. The artists open studios are held here every 1st Saturday of the month for all to attend for free.
Nucleus Arts also have creative studio space in Military Road, Chatham, Rochester High Street (which also includes retail space) and Lower Stone Street, Maidstone. All spaces have a lovely cafe managed by Cafe Nucleus.
Nucleus Arts are working in collaboration with multiple local charities on their Arts Inclusive programme to make sure the arts can be accessible to all.
This Community Interest Company was formed in 2012 to support and promote the best of Medway’s talent, providing a base for established and start-up businesses in the creative sector.
Within the building, there is a large exhibition gallery, tea room, events space, hire rooms, artist studios, open plan creative office space with hot desk facilities, all enjoying a glorious panoramic view of the River Medway.
Sun Pier House CIC actively promotes the businesses working within Medway’s creative community, encouraging them to grow and develop to their full potential. Sun Pier House is right next to Sun Pier, Medway Street, Chatham.
POP is an abandoned shop turned into a Creative space in the heart of Chatham, Medway. The shop has been funded by EU and Recreate and hosts various free events and exhibitions throughout the year. POP is at 64 – 66 High Street, Chatham.
Unravel and Unwind are working to develop a “country cottage” style craft drop in centre for crafters of all abilities, ages, background and culture where they can come and craft while they socialise-practice-teach-learn.
Their aim is to create a friendly open environment,”a crafting home from home” ) where local crafters & families can practice, learn, teach and sell their crafts. A place where skills can be shared and new ideas encouraging community engagement, increasing social well-being, removing isolation and possibly mentoring transitions into employment. They are based at Intra Arts, 337-341 High Street, Rochester.
INTRA is a Medway based arts venue, hosting creative events, classes, activities and studios, and offering one of the best collections in Kent of specialist arts equipment accessible to the general public – especially specialist printing equipment.
The not for profit company Intra Arts Ltd. was formed in 2014 when they took on the former Spemco building in Rochester High Street. This Art Deco fronted, Victorian building is much loved in the historic area of ‘Chatham Intra’. Their aim is to provide an arts programme, creative opportunities and education in a space that welcomes people of all ages, abilities and circumstances. They are based at 337-341 High Street, Rochester.
When I was younger, writing poetry which described and explored my state of mind during major depression may have saved me from a nervous breakdown. Artists and writers can, and do, use their art as a form of self-therapy. Reflective writing with a purpose, intentional or otherwise.
Writing is how I express myself. I can struggle with words when I speak. Writing everything down first provides the chance to ensure clarity. I’ve been doing it all my life. Fiction, non-fiction, copy-writing, blogging, emails, to do lists……So why am denying myself this proven therapeutic tool now? When I am still coming to terms with losing both my parents to pancreatic cancer in the space of 6 months. Burying the grief, the profound, deep sadness. The anger. Why do I feel uncomfortable writing about it?
I don’t have children of my own. Years ago, my maternal instincts found an outlet through caring for a special, adored young cat and when I lost him, I channelled my grief and helplessness into volunteering and fundraising for the Cats Protection League. Eventually I was able to write about it. Over the past year, I’ve raised funds and tried to raise awareness of pancreatic cancer. When I lose loved ones, I have a desperate need to find a positive outcome from all the tragedy. It’s a useful way of focussing creative energy.
There is currently a high profile media campaign running which promotes the importance of cancer research. What it doesn’t say is that not all cancers are equal. To quote from the Pancreatic Cancer Research Fund:
“Pancreatic cancer has the lowest survival rate of all cancers – just 3% of those diagnosed survive for five years. It is also the only cancer that has seen no improvement in this figure over the last 40 years.
Overall, half of all those diagnosed with a cancer now survive for five years or more. For many cancers, five year survival rates have increased hugely since the 1970s. For breast cancer – where large amounts have been spent on research – five year survival rates have increased from 50% to 80%.
Yet despite its high death rate and lack of improvement in chances of survival, pancreatic cancer attracts little research funding in comparison with many other cancers.”
Although I’m not yet ready to write about my feelings, I’m glad that I can use what I write as a tool to raise awareness of issues that concern me which relate to my bereavement. So if this results in even one reader making a donation to, or getting involved with, these charities, then the words have done their job.
We’re fast approaching November, which is important for a number of reasons; It’s almost December, which means Christmas and New Year’s Eve are coming up, bonfire night is always good fun and it’s National Novel Writing Month.
Admittedly, if you’re not a writer the last one probably isn’t that important to you, but for those of us enamoured with words it’s a pretty huge deal.
A quick jaunt to NaNoWriMo.org lets you know what’s going on: you are encouraged, by what is essentially a charity, to write a 50,000 word novel in one month. Any genre, any plot, almost anything you want (although I think erotic fiction is out, I’m not sure) in thirty days and nights.
This is a tall order, as anyone will tell you; some people, usually the less writerly-types, will baulk completely when they spot ’50,000 words’, but it’s a fantastic creative exercise in that you essentially have the freedom to do whatever you want and a very tight deadline in which to do it. You must cast off all frivolous thought in order to produce better frivolous thought. Interesting.
I haven’t done one yet. I signed up (for free) just after last year’s ended, so I’m looking forward to this year’s immensely.
Here are my worries, though:
Do I start planning the story in my head now, a month before writing begins, or do I wait until November 1st and fully commit to dreaming up, planning and writing a novel in exactly one month?
How can I split my time effectively to make sure I maximise the amount of words I write per day? Should I splurge 10,000 in one coffee-fuelled all-night binge? Or should I do a more manageable couple of thousand every other day or so?
It’s a lot to think about.
I urge you to take a look at it anyway, even if you don’t consider yourself to be writer. You never know what may come flying out of your head when you put pen to paper (or fingers to keyboard), and everyone has a story to tell, whether they think they do or not. Don’t be put off by the projected word-count; it’s not set in stone after all and as most writers will tell you, if you hit on something you really like, a scene, a character or a whole story, you’ll eventually glance at the clock and notice it’s four in the morning and that you’ve written sixteen pages. You’ll also be dimly aware that you’re starving and that you have to be up for work in four hours.
It’s a labour of love.
I look forward to reading yours.
By James Bovington
Now I must ask something of you:
I have awful trouble naming characters. I try to avoid using the names of people I know, on the off-chance they think I based the whole character on them (which is only sometimes true), so I’d very much appreciate it if the lovely readers of Creatabot (or the lovely contributors, anyone really) could leave me some suggestions down in the comments below. I’ll probably even credit you as ‘The Namer’ or ‘The Name Giver’ or some such needlessly grandiose title.
That’s the prevailing notion among the ‘normals’, anyway. By ‘normals’ I mean people who don’t consider themselves artists or ‘creatives’, although I think Mr. Teller, of Penn and Teller fame, put it best when he said art is “…whatever we do after the chores are done.”
The most common conception of an artist is a brooding figure in a dark room, slashing yesterday’s paintings with a steak knife. It hasn’t been helped by the sheer number of artists ‘back in the day’ that committed suicide or spent their lives in self-inflicted exile and hermitage, or the vast number of people these days who seem to think that by pretending to be psychologically damaged or dark they can join some exclusive ‘Artist’ club and their work, no matter how lazy or bad, will be somehow ‘valid’.
Enough inverted commas. All of that is wrong anyway.
What some people see as loathing directed inwards is in fact something entirely positive. Here’s an example from my own life:
I used to be rubbish. I was a terrible writer; an ok poet, but my prose was bad, plain and simple. Reading back through some stuff I found fairly recently proves this to me. I’m not going to post any here, it’s too painful, but trust me. When I see the kind of dreck I used to put out it makes me ashamed and angry. This is where the disconnect happens between ‘creative’ minds and others; the creative doesn’t see that as a negative emotion reflected on oneself, they see it as a negative emotion cast solely on the article in question. It’s a realisation that you used to lack the skills you now have, and that you have improved and, crucially, will continue to do so.
I’m pretty sure a few years down the line I’m going to come across a notebook filled with scribblings from around now-ish and hate them with a passion.
I know exceptional artists who basically refuse to draw because they aren’t ‘good enough’. This might be a confidence issue, but I know these people, so I know it isn’t. It’s a desire to constantly improve. An attitude that is entirely healthy for a creative person. If you have a set point in your mind where you think ‘I want to be THIS good’, you’ll eventually reach it (slowly, I might add) and then stagnate. If your desire is to improve on your work all the time, you can only get better. When struggling uphill the only place you can end up is on top, so to speak.
The most important thing to remember is that people change, and that includes you. You might really like a certain style of painting one year and then find yourself thinking it’s awful the next. Your psychological state is never the same as it used to be because you learn to deal with, or let go of, issues that used to inform your art. Here’s an experiment you can try if you’re lucky enough to have left puberty behind;
Look through some of the stuff you did during that period of personal turmoil. How much of it would you say is empirically ‘good’? 10%? None of it?
Exactly. That’s one of those periods of life where everything that is ‘you’ is jostling with what you thought was ‘you’, or what you think ‘you’ should be. Your personality is testing the waters, as it were, and art is a reflection of self.
As a result it’s going to be all over the place, some good, most bad, just because your whole self is throwing itself around trying to get a feel for the place. I know the majority of my own pubescent scribbling were confused, self-absorbed and downright bad, and it’s a good thing I know that because that has let me fix those habits over the intervening years.
So, in case you skipped to the end for a swift summary, I’d point out that what allegedly non-creative people are imagining when they hear you describe your own work with flippant ‘Oh, that was shite’-style remarks is entirely wrong, but by no means illogical, it’s just that they haven’t grasped the mindset that lets somebody critique their previous efforts.
It’s always worth adding ‘I’ve learned what to avoid’ or something to that effect, to let them know what you actually mean.
And to you ‘non-creatives’ (even though you don’t really exist), just remember; we don’t hate ourselves. We hate our work.
There’s a big difference.
By James Bovington
P.S. I find that it’s probably for the best to think the word ‘Maybe’ after every sentence of this article to achieve the best understanding of what I mean.
Creative minds: meeting like minds. Interested in art and creativity? Come and mingle with like-minded individuals and share coffee and ideas. Open to all artists if you’re a beginner or someone more advanced. Artists, writers, dancers, actors, musicians or creative crafters. Who knows who you could meet?