Started by Nucleus Arts in conjunction with Jamie Johnson, Riverside One Studios is a new music project in Chatham, Kent.
Jamie Johnson is a local singer/songwriter from Gillingham, Kent who appeared on national TV as Kylie Minogue’s finalist on The Voice in 2014.
Jamie’s experience has inspired him to help aspiring musicians. Their plan is to try to help anyone who has a passion for music and wishes to find the next step to building a career in the music industry or just some friendly advice on what they can do to improve.
Many of you may remember the Riverside One building as the council venue on Dock Road, next to the bus station. A really great location as you can see it from the new bus station and it’s only a 5 minute walk from the train station.
The idea behind the studios is to have a place where anyone can come together to write, rehearse and record music. We are also able to offer teaching, mentoring and other sessions that support budding musicians in Medway.
Riverside One has 1 small rehearsal/writing room, 1 large recording/rehearsal/performance space and 1 main control studio room with the facilities to record a single or an album.
Riverside One Studiosalso works with people who may be at risk of social exclusion as part their “Art Inclusive” programme. This currently involves a joint project with The Princes Trust, where together they are offering young people in unemployment the opportunity to learn more about making music and the music industry. Contact Nucleus Arts to find out more.
Riverside One are also able to offer music lessons including guitar and singing lessons through various partners.
Main Rehearsal Room – 4 Hours £40 Or £13 Per Hour
Small Rehearsal/Writing Rooms – 4 Hours £30 Or £11 Per Hour
Full day – 8 hours £200
Half day – 4 hours £120
Recording – £30 per hour
Ep package – 2 full days of recording £380
Live Music Event Hire: From £15ph
If you would like to donate towards the studios it is never too late….. Please visit the following ‘go fund me’ page :
On Wednesday 14 December, 2016 at 7.30pm the University of Kent Choir and Orchestra (Medway) will be performing Vaughan Williams’ Fantasia on Christmas Carols as part of the School of Music and Fine Art Christmas Concert in the beautiful Royal Dockyard Church.
We are inviting the local community to join the choir or orchestra and take part in this festive event. Rehearsals take place on Wednesdays 5pm 7.30pm at The Historic Dockyard Chatham, with the first rehearsal on Wednesday 28 September. (Note: Orchestral players should be Grade 6 standard or higher). We look forward to hearing from you!
5 January 2012 – Two UFOs were photographed over the Medway. The photographer, who has asked not to be named, said that they made many passes over the river. The following day, the Daily Mail published pictures of two UFOs taken over Kent and Sussex, which may have been the same two craft. http://www.dailymail.co.uk/…/Two-alien-aircraft-sightings-w…
On the 24 October 2014 – explosions were heard across the home counties and a Latvian cargo plane appeared in the sky from nowhere. The crew say they took off from Riga two years earlier, but this fact remains unpublished!
How far will our government go to cover up the truth about Alien Artefact No, 202?
Four newly established singing groups across west Kent and Medway are looking for members who enjoy singing and want to improve their health and mental wellbeing.
The groups have been organised by the Sidney De Haan Research Centre for Arts and Health at Canterbury Christ Church University, in conjunction with Kent County Council’s Wellbeing campaign. They are free to attend and open to all. Participants will sing and enjoy well-known songs with the help of skilled group leaders, with the aim to provide opportunities for social interaction, reduce stress and increase self-confidence, fun and enjoyment. Professor Stephen Clift, Director of the Sidney De Haan Research Centre, explained: “Our research has shown that regular group singing can be beneficial for overall general wellbeing, as well having a positive impact upon specific health and mental conditions. “The singing groups we have set-up in West Kent and Medway replicate a set of groups that were set-up in East Kent in 2011 to assess the impact the activity had upon mental wellbeing. We found that participants reaped the benefits of social interaction and peer support offered through the groups, which helped to clinically improve their mental health conditions. Some of the benefits experienced by the participants included, an increase in self-worth and self-confidence, a reduction in stress, an improvement in memory and concentration and a sense of inclusion. “The singing groups in East Kent were successful in helping to improve the mental health wellbeing of the participants and proved to be a cost-effective health strategy. We hope to see the same positive benefits for the members of West Kent and Medway singing groups.”The groups run weekly across four venues in West Kent and Medway:
Chatham – Thursday, 11.00am-12.30pm, All Saints Community Centre, Magpie Hall Road, Chatham, ME4 5NE
Dartford – Wednesday,1.00-2.30pm, Meadowside Day Centre, Meadowside, Dartford, DA1 2RZ
Maidstone – Tuesday, 4.30-6.00pm, Maidstone Community Support Centre, 39-48 Marsham Street, Maidstone, ME14 1HH
The Rochester and West Kent Art Society (RWKAS) is a local group for artists of all abilities. Established in 1927, two of the society’s founding members were Graham Sutherland and Lady Darnley of Cobham.
RWKAS exists to encourage the appreciation of Art in its different styles and mediums and to reinforce the artistic skills of its members.
Last year, I attempted my biggest challenge – launching my first ever crowdfunding campaign for a music and dance event in Kent. I’ve been excited by the idea of crowdfunding for a long time – ever since I attended a workshop by the fantastic Crista Cloutier. If your project is hard to categorise, or getting funding through the usual channels isn’t working, than crowdfunding is a way to approach your audience directly.
Like many enthusiastic fundraisers, I was seduced by success stories of other individuals and arts groups, and keen to try it myself. I can honestly say it is way harder than I imagined!
I went to a Fundraisers Bootcamp last month and it was perhaps reassuring in an odd way to learn that not everyone reaches their target and that it really is as tough as I am finding it. It’s been a steep learning curve – luckily I love learning! It took months to construct the crowdfunding page to get it right, and then we promptly ignored advice about how to do the video trailer. Instead, after several takes of unsuccessful talking heads, we opted to let the music – and dance – do the talking for us. Whether or not that worked is for you to decide.
I spent ages trying to create some unique, personalised and, frankly, lovely rewards for supporters – ranging from signed first pages of the new scores, to tickets for the concerts, to a chance to meet all the cast after the shows. All supporters will get credits in the special souvenir programme.
The bit of the process I find most difficult (and this is going to sound a bit strange) is asking people to give money. I quickly realised that I really don’t like doing this! The lovely folk at the Fundraising Bootcamp pointed out that people can only say No, and would I mind if I was asked to support a crowdfunding arts project? Of course not. But has that made it any easier? Not really. Why is it so tough to ask for help? I don’t know the answer to that.
But I do know I am passionate about the project I am fundraising for, and that all the rules of fundraising equally apply to crowdfunding. It isn’t a magic solution to raising money. However, it is a brilliant tool for communicating a fab project to a lot of people – with the hope that it will connect enough for people to want to share it with others.
So what are we doing it for? In a nutshell, the The Mirabai Project is a labour of love – a not for profit collective, with ambitious plans to stage innovative events that combine music, dance, design, film and new technology.
Chrysanthemums is our first event – an intriguing semi-staged concert with string quartet, harp, sax and 3 female voices – and special guests Elena Velasco-Peña and Luis Rodriguez, dazzling Argentine Tango dancers. This is our first collaboration with the young Canterbury based Leon String Quartet. Established in 2010, they are dynamic and versatile, with a wide repertoire and commitment to new music and innovative collaborations. Joining them are award winning musicians that include harpist Ruby Aspinall, sopranos Elizabeth Fulleylove and Gabriela Di Laccio, and Kent saxophonist Richard Melkonian.
The first show includes two world premieres. Award-winning composer Barry Seaman’s haunting Torch Songs is written for harpist Ruby Aspinall, and is inspired by songs about love, loss and friendship. Singer/songwriter Mariam Al-Roubi will be performing All Things – songs inspired by her forthcoming album, arranged for string quartet and harp.
There will also be sensual and romantic music from composers that include Monteverdi, Puccini, Caplet, Philip Glass, and new arrangements of tangos by Piazzolla and Gardel.
Chrysanthemums will initially be performed as follows:
Friday 17th April 2015, 8pm at the Trinity Arts Centre, Tunbridge Wells, Kent
Tuesday 21 April 2015, 7.30pm at the Gulbenkian Theatre in Canterbury, Kent
If you want to be instrumental (pun intended) in both the creation and performance of beautiful music and know that your contribution and vision made it happen, please check our link.
The crowdfunding campaign ends on 2nd February 2015 – so we now have less than a month to achieve our target of £2590 (eek!). To date we have 5 backers and have raised £425 towards commissioning new work, and I am so grateful to everyone who has supported us this far.
Any contribution would be welcomed. (See, I kind of asked!) But whether or not you can donate, I’d be truly grateful if you could share the link via social media and help to spread the word – and we sincerely hope you will come to the concerts! Thank you!
Revolutionary Arts relocated to Margate in 2013, after a lifetime in Worthing, interested in a place full of spaces for artists. There’s a rich mix of studios and project spaces, each with their own clique of artists. So here’s a short guide to Margate’s art studios:
Pie Factory are based in the regenerated Old Town, where they have five artists studios on the first floor, with a beautiful, slightly-industrial gallery space at street level. Every studio has access to a roof terrace that can be used for working, social events or simply relaxing.
Resort Studios are based in the old Pettmans Furniture Depositary, just off Northdown Road. They advertise full time studios & desk spaces, an open plan workshop area, a print studio, photography space, and a hang out area. There’s an open-plan area bookable for events and a gallery space in a former shop below.
Are you a musician/filmmaker/artist/photographer/organisation etc who would like more people to know about your work and what you do?
Perhaps you always wanted to know what musicians/filmmakers/artists/photographers etc live and work and create in Medway?
Would you like to transmit your art? Would you like to project your talent?
Transmit:Project is a brand new project all about getting known. Its all about providing a platform for upcoming and established artist and performers. It’s all about having one place where people can go to find out more about the huge amount of talent that currently thrives in Medway.
This is going to be the place for local talent to be seen and heard. This is going to be the place where audience inside and outside Medway will come to see what talent is around. A while ago I wrote about some of the Medway scene with the popular Medway Visions articles. I hope these will morph into transmit:project files as well as adding new ones all the time.
But it needs you. Without talents to write about/broadcast then this project won’t get very far. Make yourself heard. Contact us.
Here’s how it works:
You send me a bio and some details about your work.
You send me a link to your work/send a cd etc.
With these things I can write about you.
You also send me a video file of you performing or a music video (musicians), interview/sequence of pictures of art (artists), sequence of photos (photographers) a short film (filmmaker).
With this I can post a clip of you/your work. (If you can’t get a video file to me then contact me anyway and we can sort something out)
This will then be shown from the transmit:project broadcast channel:
Ideas Test (Creative People and Places: Swale and Medway) is pleased to announce the launch of Kent Creative Live Swale and Medway, a support network for artists, art organisations and creative individuals and businesses.
The programme will start on Tuesday, January 14th 2014 and go on for 9 months, with events in Chatham, Faversham, Rochester and Sittingbourne.
Kent Creative Live helps creative professionals develop business skills and connections, enabling them to become more self-sufficient and achieve their goals. The aim is to nurture a more business like outlook, vital for their survival, and which will strengthen the professional creative community as a whole.
Thanks to funding support given by Ideas Test, the whole programme – comprising nine workshops and eight meet-ups – is a unique opportunity for creatives to grow their practice at the very affordable rate of £112, extraordinarily good value at just £6.59 per three hour session.
Kent Creative Live includes a series of practical and participatory workshops presented by experienced professionals, to improve the skills required in running a creative business. The workshops will cover business planning, project evaluation, marketing, money management and legal issues, all tailored to creative practitioners. The workshops are available to residents of Swale and Medway only.
It will also include meet-ups to talk to and exchange ideas with like-minded people, to develop relationships and get feedback from peers on specific projects, as well as opening up opportunities to build new relationships.
Nathalie Banaigs, Project Manager for Kent Creative Live, said: “Group interaction is key for the attendees at both types of event, to receive support from peers and professionals – especially valuable for those who work alone. The feedback we’ve received from previous, similar events means we’re confident that creatives from both Swale and Medway will gain valuable knowledge from their attendance, which they can apply to their practices with confidence.”
Existing members of Kent Creative Live agree, with artist Frances Beaumont saying: “I have benefitted enormously from joining. It has given me a direction and confirmed my purpose to be a practising artist.” Illustrator Mark Thatcher said: “The guest speakers and business workshops are interesting eye openers to the financial, copyright and social media stuff that I otherwise avoid even thinking about!”
The FUSE Medway Festival taking place from 13th to 15th June, is a free, outdoor arts festival for the people of Medway and visitors. For one weekend in June, Medway’s public spaces are transformed, creating exciting, unexpected happenings and spectacular events.
FUSE is committed to the development of new work and to supporting local artists. It is offering three local arts commissions for 2014: one commission of up to £5,000 and two commissions of up to £2,500.
The commission provides an opportunity to explore new ways of working and to develop your practice. The criteria are as follows:
Applicants must be living or working in Medway.
Projects must take place in Medway.
Projects must be specifically designed for the outdoors.
Applications are welcomed from any art form.
Projects must have an element of community engagement, which can be delivered in the 2 weeks prior to the main festival.
Projects must be accessible and innovative.
The work must be delivered within a realistic budget.
The finished performance / installation must take place between 13 – 15 June.
Applications can be submitted by post (FUSE Medway Festival, Arts Team, The Brook Theatre, Old Town Hall, Chatham, Kent ME4 4SE) or by e-mail to email@example.com. The deadline for submissions is 12 noon on Friday 31 January 2014.
Shortlisted applicants will be invited to interview on Monday 17February 2014
For further information and a full copy of the commission brief and an application form, please contact firstname.lastname@example.org or call 01634 338319.
The Cabaret Club is preparing for it’s showcase launch night on Saturday 3rd August and we need actors/performer to play a part in our event. We can pay reasonable travel expenses (and provide a free drink or two on the night!) plus if you want to be a regular part of our event then it’s an opportunity to be a part of something new and exciting happening in Rainham. So if you’re up for putting on your glad rags and coming along to have some fun, meet new people and show off your acting skills then please get in touch with Lisa –email@example.com
CALL OUT FOR THEATRE TECHNICIAN!
The Cabaret Club is preparing for it’s showcase launch night on Saturday 3rd August and we need a stage hand/technician to play a part in our event. We can pay reasonable travel expenses (and provide a free drink or two on the night!) plus if you want to be a regular part of our event then it’s an opportunity to be a part of something new and exciting happening in Rainham. So if you’re up coming along to have some fun, meet new people and gain experience in working on a live event then please get in touch with Lisa –firstname.lastname@example.org
Artlands is a contemporary art programme which will explore North Kent’s identity through a series of public realm commissions – responding to and engaging with the unique qualities of the area; its landscapes, its heritage and its people. Artlands will create multiple and varied opportunities for artists to work in North Kent and will be a cumulative programme, beginning with the delivery of four commissions which respond to specific opportunities within the region.
Last year (2012) they were part of some amazing events, including the Ecology of Colour in Dartford, Kent (featured above) which brought a new hut to the towns park, that became the focal point for community related events and workshops. They are also part of the Swale and Medway Creative People and Places Consortium. (www.creativepeopleplace.info)
The Expansionists established 57a – an artists’ and writers’ residency programme in Whitstable, Kent – in order to aid and support creative expression. 57a is a privately funded project dedicated to providing the space, time and freedom to promote new artistic practice.
The Expansionists want to enable creativity to flourish and to inspire work that engages with the world around us.
The Expansionists’ ultimate aim is that 57a will lead to the creation of a diverse network of alumni who can help, support and inspire one another.
This alumni will be comprised of contemporaries in the creative world – using established links with practitioners to create a diverse and expanding network.
Their residencies are open year-round to anyone in any field of the arts. We welcome applications from both individuals and groups.
57a is inspired by and dedicated to the memory of Lucy Gordon, a talented actress and a person with an unequalled generosity and depth of heart.
Canterbury Christ Church University is offering the opportunity to study interesting creative subjects across its universities in Kent. Various short courses taking place during 2013 include the subjects of music, art and literature.
To take a look at the courses and to book please see the university website:
October 26th, 27th and 28th saw the Castle town of Conwy, North Wales, transformed into a giant piece of digital art, numerous buildings in the town became projection backdrops for digital, video, sound and light art created by a host of local and national artists.
Famed for his mathematical intelligence Turing was fundamental to The Enigma Machine success in the 2nd World War, and considered one of the forefathers of modern computing.
To mark the centenary of his birth, Artist / Curators Craig Morrison and Joel Cockrill were commissioned by the Arts Council of Wales to make a significant light work dedicated to Alan Turing.
The piece, which is entitled ‘Thank you’, was installed in Conwy Castle. Two large lasers programmed with Rolling Spheres or ‘Hyperboloids’ positioned high above the town on the castle towers, beamed green lights that swept across the sea and the sky, the beams flickering at a frequency calculated using Morse Code projecting ‘Thank You’ towards the heavens.
To accompany the lasers a large scale white neon positioned on a plinth, identical in size to the Fourth Plinth in Trafalgar Square, so that Turing’s poetic epitaph can be read while the lasers pulse into the night sky behind.
Craig states that “The significance of the plinth is inherent to the piece. The Fourth Plinth celebrates all that is contemporary in the arts today. Alan Turing’s abstract mathematical achievements epitomize what the plinth represents and in some way is responsible for probably most of the artwork that is displayed. His fundamental work in computing has helped to shape what we see in contemporary life. His wartime work on codebreaking definitely contributed to the preservation of our freedom of expression.”
Children’s drawings of Conwy projected onto the Civic Centre
Other artists taking part responded to the town and its history, here’s a few videos from my favourites:
Neil’s work explores surrealism and its relationship with every day life, the photomontage video creates a face using ordinary everyday objects we normally don’t notice or give any time too:
Wendy Leah Dawson:
Wendy’s piece explored the swarm and hive mentality in bees, transforming an old chapel into a giant beehive, Wendy also paid homage to the towns historical bee keeping and honey traditions:
Alan’s video was projected onto the Castle – which was incredibly moving and overwhelming – the scale, soundtrack and Alan’s presence made for a very powerful piece! Here’s the web version of the video and below that is a photograph by Roger Smith of the projection on the Castle
Elly Stringer + Alys Hughes:
I couldn’t find a version of Elly’s beautiful video entitled: ‘Hireath’ [loosely translates in English as ‘Longing’ – but there is no direct translation] that I could embed but she has put it up on her wonderful blog so head over there for a peek! The video was projected onto a bus outside of the British Legion, and watching it made me think of the time I spend daydreaming on the bus home from work, longing to get home, its a really evocative piece and beautifully made!
Alys, who performs in the video, each night completed a live dance performance in front of a projection inside the British Legion, which was stunning I have to say! Over the weekend they then repeated the performance this time in front of the projection on the castle – which unfortunately I missed 😦
It is a privilege to have such an amazing event right on my doorstep, and I count myself lucky to have seen it – especially considering the whole event was free! Well Done to all the team, organizers, helpers, Arts Council Wales, Cadw, Conwy County Council and of course the Artists involved!!
Here I am, A YouTuber who makes a lot of videos, but never my own music video. In the past I made one in a group of a song I wrote, then again in a group with my lyrics and now on my own I have produced my third music video of my lyrics (music by Joe Humber) uniquely to my YouTube channel.
So what is the story of my new song ‘Our Story’ beside the music?
Before Summer 2012 I wrote a song, originally unnamed but referred to as ‘The Next Chapter’, and proposed it to my friend Joe to record and make into an actual listenable song rather than words on screen. He agreed. One day travelling back from London I checked my Facebook messages and found he had sent me a demo of the song. I listened, and fell in love with hearing my lyrics as music. Immediately I told him this is what I wanted for the video and he set to work improving. Recording also took place with my friend Molly, however due to Joe moving to University his computer got damaged and we no longer have the file of both of them singing. Upset and annoyed by this misfortune I still decided to release the song with the video since we all worked hard.
A few viewers have asked me what the song is about, I say the answer is in the lyrics.
Moving on the the process of making it. When making any production it must go through three stages: pre production; production and post production.
PRE-PRODUCTION: This automatically began subconsciously when I wrote the song. Ideas for what to film were everyone in my mind, bubbling up ideas. Originally my storyboard was to use post it notes (as seen in the video with the love heart Molly draws) as messages that the couple used to send to each other. However, the lyrics didn’t seem to fit as dialogue for post it notes so I didn’t want to use them but didn’t want to add to many words to the screen. Instead I decided to portray the lyrics naturally with Joe and Molly acting as a real couple going through their ‘story’ – meeting, love, laughter, happiness, arguments, tears, missing each other, anger and so on.
PRODUCTION – Unlike most projects, beside vlogs, filming only took a few hours of one day. Stopping in-between shots due to weather conditions (however the rain was good pathetic fallacy) filming was otherwise successful. Most ideas came on set. Often in preproduction I’ll storyboard everything and have a shot list, but with this I decided as the cast was a minimum we could create some unique and improvised. First we filmed the fights in the house; moved on to the scenes in the field after a lunch break; walked along the roads; and finished at another house for more shots. The majority of filming took place in the field with the paper, ripping up the story. This idea came on the day when I was on the bus over to our location and I’d brought Romeo and Juliet book with me, I thought it worked well.
POST PRODUCTION – Editing went well, as I had a new laptop it was more of a practice using iMovie, although personally I prefer and wish for Final Cut Pro, but due to the expense I’ll wait for Christmas. However, the wonders of video editing could still be explored on iMovie through tutorials, but it’s so easy to use you don’t need guidance to be honest. I made different versions of the videos (which I advise when unclear on final outcome) and decided on what I preferred and didn’t.
Your original idea will always be different to the outcome, sometimes this is good sometimes this is bad, you need to find the balance.
With this I feel I found a balance, I came with what I feel it a good outcome for an experimental video.
Attached to this article are other music videos I have made of which I would love feedback to see how I can improve.
We’re fast approaching November, which is important for a number of reasons; It’s almost December, which means Christmas and New Year’s Eve are coming up, bonfire night is always good fun and it’s National Novel Writing Month.
Admittedly, if you’re not a writer the last one probably isn’t that important to you, but for those of us enamoured with words it’s a pretty huge deal.
A quick jaunt to NaNoWriMo.org lets you know what’s going on: you are encouraged, by what is essentially a charity, to write a 50,000 word novel in one month. Any genre, any plot, almost anything you want (although I think erotic fiction is out, I’m not sure) in thirty days and nights.
This is a tall order, as anyone will tell you; some people, usually the less writerly-types, will baulk completely when they spot ’50,000 words’, but it’s a fantastic creative exercise in that you essentially have the freedom to do whatever you want and a very tight deadline in which to do it. You must cast off all frivolous thought in order to produce better frivolous thought. Interesting.
I haven’t done one yet. I signed up (for free) just after last year’s ended, so I’m looking forward to this year’s immensely.
Here are my worries, though:
Do I start planning the story in my head now, a month before writing begins, or do I wait until November 1st and fully commit to dreaming up, planning and writing a novel in exactly one month?
How can I split my time effectively to make sure I maximise the amount of words I write per day? Should I splurge 10,000 in one coffee-fuelled all-night binge? Or should I do a more manageable couple of thousand every other day or so?
It’s a lot to think about.
I urge you to take a look at it anyway, even if you don’t consider yourself to be writer. You never know what may come flying out of your head when you put pen to paper (or fingers to keyboard), and everyone has a story to tell, whether they think they do or not. Don’t be put off by the projected word-count; it’s not set in stone after all and as most writers will tell you, if you hit on something you really like, a scene, a character or a whole story, you’ll eventually glance at the clock and notice it’s four in the morning and that you’ve written sixteen pages. You’ll also be dimly aware that you’re starving and that you have to be up for work in four hours.
It’s a labour of love.
I look forward to reading yours.
By James Bovington
Now I must ask something of you:
I have awful trouble naming characters. I try to avoid using the names of people I know, on the off-chance they think I based the whole character on them (which is only sometimes true), so I’d very much appreciate it if the lovely readers of Creatabot (or the lovely contributors, anyone really) could leave me some suggestions down in the comments below. I’ll probably even credit you as ‘The Namer’ or ‘The Name Giver’ or some such needlessly grandiose title.
A diverse and talented group of artists based in Llandudno are preparing to throw open their doors to the public and invite visitors into the secret world of their art studio. They exhibit as part of Helf Gelf/Art Trail, North Wales’s largest open studios project. A range of artists and craft makers will be allowing visitors to see where they work and how they work, over the Fridays, Saturdays and Sundays throughout September.
The six artists, based at ‘c.a.s.c artist studios and project space‘ on Garage Street behind MOSTYN Gallery, are a fantastic example of the diverse range of artists taking part in Helfa Gelf this year. The ‘c.a.s.c’ collective has been going since 2009, when it first came to the public’s attention in its original location in Llandudno, they moved to their current studio – complete with a project/exhibition space in 2011 and have continued to thrive, It has included a variety of artists over the years , all with a shared interest in contemporary art and crafts.
“Working at the ‘c.a.s.c’ studios has allowed us the opportunity to network with other like-minded artists and to seek peer group support. It is surprising how many artists live and work in North Wales and how much talent there is.,” says Wendy Couling mixed media artist and one of the founder members of ‘c.a.s.c’
“This is the third year I have taken part in Helfa Gelf and it has been a really rewarding experience for me. I exhibited as part of a different studio last year and we did well with sales, which is an added incentive!” said Barry Morris, a figurative painter.
“It is good to meet people who are interested in art and get feedback about your work. It is also interesting when you have people visit you every year, who can then comment on how your work has developed.”
All six artists will open their workshop spaces to visitors during the Helfa Gelf event in September. They will exhibit paintings, ceramics, sculpture, mixed media work and present installation pieces, the other members include Antonia Dewhurst, who this summer completed a successful exhibition and installation at Oriel Davies (New Town), Gerallt Hughes an illustrator, Jane Tudor who works in mixed media and sculptural ceramicist Wendy Dykes.
The local artists in the area are in the Conwy Coastal Cluster part of the Helfa Gelf /Art Trail.
Artists who open their studios share the inner workings of their creative world. Studios in the Conwy coastal Cluster are hugely diverse and interesting, with over 22 artists all living and working in a 17 mile radius of each other. A full range of art forms is available to visitors including: contemporary wood work, ceramics, drawing, felting, jewellery making, painting, photography, printmaking, textiles, sculpture, fractual art and illustration. In total there are over 300 artists across Gwynedd, Conwy, Flintshire, Denbighshire and Wrexham opening their studios to allow visitors to experience their creative processes.
A Helfa Gelf Art Trail guide book is widely available from local libraries, schools, tourist information centres, hotels, shops, galleries and Helfa Gelf Information Points. To help to plan your free artistic adventure, ‘The Art Trail Map’, an online interactive guide, is available at www.helfagelf.co.uk. This includes information on studio locations, artist profiles, a gallery of images, directions to the studios, satellite map, access information and opening times. It also contains information about free drop-in workshops and free community bus-tours run during the event.
Sabine Cockrill, project coordinator for Helfa Gelf says:
““The range of art is very diverse. It is exciting to start on the Art Trail and be recommended other artists to go and see and spend an interesting day exploring creative spaces.. You never know where the Trail might lead you. ‘c.a.s.c’ is a fantastic example of a group studio, where are you are able to see very different types of artworks. The studios are in all sorts of locations from beautiful rural cottages, to garden sheds, to purpose built spaces in towns and villages.”
The ‘c.a.s.c’ studio has been divided into different working spaces for each artist. As you move through the building, you can see how the artists have renovated the interior to meet their needs. Some areas have bright white boards, easels and workbenches, and all the artists have adapted the flooring, lighting and storage to enable them to work in their different materials and artistic media.
Barry Morris, whose work includes skull linocut print bunting and painted dolls, adds:” It really motivates you when you know other artists, curators , buyers, visitors and members of the community will be looking at your work. “
Pick up a booklet locally or use ‘The Art Trail Map’ online at www.helfagelf.co.uk. The HelfaGelfArtTrail project has received funding through the Rural Development Plan for Wales 2007–2013, which is funded by the Welsh Government and the European Agricultural Fund for Rural Development.
The future is digital. Traditional distribution channels are changing, and whilst this offers unprecedented opportunities for artists and creators it also raises issues around censorship, cultural identity, ownership and quality control. If the gatekeepers are removed and artists, writers and musicians can be their own distributors, who makes judgements about quality? Should anyone? Or should we embrace an artistic and social free for all?
This event will be of interest to artists, performers, musicians, writers, entrepreneurs, academics, students, philosophers and social commentators.
Venue: University Centre Folkestone
FREE to attend but booking required – contact Jane Seaman – email@example.com
Key speaker Chris Meade, writer and Director of if:book UK
Other speakers include: Matt Wright (composer, sound artist, Senior Lecturer at Canterbury Christchurch University), Shane Record (visual artist), Danuta Kean (writer and journalist), Greg Klercx, Director of Reauthoring, and others to be confirmed.
IdeasTap is a creative network and funding body for emerging arts talent. They are a not-for-profit organisation, bringing young, creative people together and offering funding, opportunities and a portfolio to showcase your work.
It’s free to join and only takes about two minutes to sign up.
You can find out more about them – including history, meet the teambehind the site and check out some of theIdeasTapalumnithey have supported with their funds and briefs in the past – in the About us section.
When Candy Chang, from New Orleans, lost someone very dear to her, she struggled to maintain perspective and wanted to find out what was important to the people around her. With the help of friends, she turned the side of an abandoned house into a giant chalkboard and stencilled it with the sentence “Before I die I want to_______”. Anyone walking by could pick up a piece of chalk, reflect on their lives, and share their personal aspirations in a public space.
To Candy’s amazement, the very next day, the wall was covered with the hopes and dreams of hundreds of people and continued to grow. But, what initially started out as an experiment has fast gained worldwide momentum, appearing as far afield as Australia, Canada, Lebanon, Italy, Mexico, Peru, Scotland, Spain and the United Arab Emirates.
Over the next few weeks, the public will be able to add their own thoughts to a dedicated wall at Gallery150, and, if they wish, they can also have the moment captured by a professional photographer, using equipment kindly sponsored by the London Camera Exchange in Leamington. Each day, the best of these portraits and statements will be documented and exhibited in the gallery, becoming an integral part of the exhibition. The event will culminate in a human and fascinating reflection on life, death and love, which will be presented in a private view on Sunday, 26th August 2012.
Situated in 9 Livery Street, Leamington Spa, Warwickshire, CV32 4NP, Gallery150 is open Tuesday-Saturday 11am to 6pm and Sunday 11.00am to 4.00pm.
The ‘Trails of Thread’ installation consists of artwork created during a series of Workshop sessions run by Llandudno based artist Wendy Couling. Working with the Textile-based group ‘Serentex’, including members of the Embroiderers Guild, and also a series of Masterclass sessions with members of the community. Using Wendy’s own work on perspex and aluminium as a starting point, the artwork is based on the participant’s collection of memories of Llandudno, and thus builds a connection between the fuselage of Adain Avion and the local landscape.
I was thrilled to be a part of the exhibition initially housed inside the DC plane that was the centrepiece of the Adain Avion project. The exhibition only lasted two hours and I was on hand to help with the install and take down, alongside our other studio-mates Gerallt and Toni. The exhibition then moved onto Mostyn Gallery where it will hang for two weeks [until July 25th].
Part of the London 2012 Festival, Adain Avion is one of 12 London 2012 Cultural Olympiad Artists taking the lead commissions to celebrate the London 2012 Olympic and Paralympic Games in creative ways across the UK, and has been funded by the National Lottery through Arts Council of Wales. Adain Avion is Curated and Directed by Marc Rees, co-produced by Taliesin Arts Centre, Swansea University and receives additional funding from: Major Events Unit, Welsh Government; City and County of Swansea; Blaenau Gwent County Borough Council and Conwy Borough Council.
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Last year I took part in a local arts festival called ‘Gwyl Arall‘ [which translates as ‘Another Festival’] with my series of doll artwork displayed in an old toy shop window, so I was thrilled to be invited to submit work again for this years exhibition organized by the husband and wife team Morgan Griffith and Rebecca.F.Hardy [who also run the brilliantDyfalDonc].
Aided by ‘Bocs‘, a non-profit co-op of artists based in Caernarfon and ‘Gwead.com‘ the exhibition aims to help provide a platform for and to help promote emerging Welsh talent. The role call of artists taking part is impressive with 3 winners from this years “Welsh Artist of the Year”: Gareth Griffith and Iwan Lewis who shared the prize for Painting, andWendy Leah Dawsonwho took home the student prize. It also boasts former “Welsh Photographer of the Year”Llinos LaniniandGethin Wyn Joneswho in 2006 won the Nationwide Mercury Art competition and is currently exhibiting at Wales flagship contemporary art galleryMostyn. Others exhibiting include myself Barry Morris [Badge], Gerallt.D.Hughes, Jaime Kelly, Gethin Wavell, Alana Tyson, Osian Efnisien,Morgan Griffith [Sonomano], Buddug Humphreys, Rebecca.F.Hardy, Jessie Chorley, Ioan Griffith, Siân Green, Sarah McEachran, Richard Cynan-Jones, Nerys Jones, Alan Whitfield, and Rebecca Gould.
Formed after the closure of Oriel Dafydd Hardy in Caernarfon, ‘Bocs’ filled the void left by the gallery by becoming a champion for emerging young Welsh talent encompassing visual arts, music and performance, and helping to nurture up-and-coming artists, this is the first year that ‘Bocs’ has been involved with ‘Gwyl Arall’, but organizer Rebecca.F.Hardy hopes that it will be the start of a fruitful relationship. Rebecca is already working with her colleagues at ‘Bocs’ in securing a new permanent venue for the co-op and approaching artists to develop a programme of exhibitions and workshops for the coming year.
The aim of gwead.com is to introduce the work of contemporary photographers from Europe’s oldest culturesat the moment; Wales, Brittany, the Basque Country and Catalonia. Their mission statement elaborates on this idea: “By submitting visual work and sharing of cultures that are either similar in language, culture and history or a historical or linguistic we hope to strengthen the relationship between them. We may add more countries in the future. In addition to delivering work on the web, we will display the work in exhibitions, festivals and galleries over the coming months and years. This websites is Rhodri Owen idea of Ysbyty Ifan in Wales. “
Sometimes we hit a wall, a creative block. But there are things that can help this common part of a creatives life, something that is certain to help is the website “The Wall Breakers”. Set up by two guys from Brooklyn – James Scully and Matt Weckel – the site features inspirational artists and their work as well as various creative news and inspiring features that might just get your creative juices flowing again.
Last night (20/06/12) at Uckfield Community College, East Sussex, students from year 12 to year 13 (6th form) displayed all their hard work throughout the last year in the art and photography department. The creativity of the students was clearly displayed across three class rooms that had been transformed to create the exhibitions.
Work shown ranged from finger paintings; photo shoots; all the way to projections. This will be the students worked that will be sent out to exam boards to give them a final grade. Nearly everything shown should take pride of place in a London art exhibition.
The inspiration of the pieces were given by themes, such as ‘mood’ and ‘changing beauty’ of which the pieces of photos were created. However this wasn’t all created in a classroom. Some work was taken in the school’s photography studio, of which I myself have been in to be a model and it’s a very enjoyable experience as the students I worked with were professional with everything they did.
The art was shown all over the classroom walls on canvas and taking up entire walls. From pictures of cats to waterfalls and portraits the talent shown was remarkable, making the evening a success. All they needed was the examiners to visit and see people’s reaction to the work to give out amazing marks they deserve.
Each piece of work came with a project book explaining the process of completing the project. Although some were hard to read as the pages were completely full, they represented the creative minds overflowing.
The school should hold more evenings like this and advisable to other school’s in order to display the student’s work of which they should be proud of!
You can watch a video of the event here, featuring a vast amount of the work:
Stepping Stones Studio is a community interest company set up and driven to promote aspiring and established artists in Kent.
Their vision is to encourage and enable visual artists by providing:
An affordable studio space in which to create work, and attend/ hold your own workshops
A cafe in which to connect and collaborate with other artists
A gallery and shop to showcase the range of emerging talents
A subscription to the studio granting incredible opportunities and discounts
Their space will stay affordable for artists and – unlike most studios and galleries – will favour applications from those without previous exhibition credentials. The aim is to keep the studio neutral, to play host to a variety of artistic groups in this area, and to showcase under-represented artists. Through the central location and overarching love of visual arts, they aim to create a centre of art activity for the artists and art enthusiasts of the Maidstone and wider Kent district.
This opportunity offers a professional environment in which to gain indispensable experience in the organisation and publicity of ones own exhibitions, and brings local artists together as a collective.
The studio encourages artists to hold their own classes, workshops and open studios for the public.
This unique artist’s venture is run by artists, for artists, and the only space in this area promoting local untapped talent through a collaborative voluntary effort.
This site is a huge aggregation of the web’s cultural treasures, more than 100,000 images, thousands of profiles in cinema, fashion, photography, illustration, design and more. The site aims to build bridges between the past and the present, as well as between different artistic disciplines.
In January 2012, BRINK, a ‘not-for-profit’ contemporary arts organisation based in Kenilworth, will be presenting the works of seventeen local and regional artists in a new showcase at “The Tiltyard” in Leyes Lane, Kenilworth, Warwickshire.
Applications are invited from artists to participate in a mini-residency on LV21, a lightship moored off Gillingham Pier in Kent.
Taking place over three days in March and April, artists will collaborate in responding to the space, generating new work and conversations about practising in public. On the third day, the public will be invited to come on board and see the work made, and join in the conversation.
The ‘Creek Creative’ initiative is about forming a productive, commercially-viable, art and design community within Faversham town centre, by providing affordable studios, workshops, public exhibition space, and extended facilities, to meet an identified local demand.
The Horsebridge Arts and Community Centre is located in the heart of Whitstable, Kent. The Centre was set up to provide a social, cultural and learning resource of high quality that is excellent value and accessible to all.